Women in comics

Honestly, at this point, I feel that every sensible point on either side of the argument has been made. So i'm not certain what I can add to the discussion.

For the record, I think TwilightEL's points hold more weight, simply because this whole discussion isn't taking place in a social vacuum. That is, comics (as an industry) is produced within the larger context of global capitalism, in which power relations are skewed towards stright while male (SWM) hegemenony (and therefore expectations, social roles, desire, etc. are shaped with the SWM mindset as the "default" condition).

Anyway, in order to broaden the discussion, while still keeping it on topic, I'd like to start listing titles that *do* feature relatively positive -- or even better, complex and believable -- representations of female characters. Houde already mentioned Leave It to Chance. But what else?

I'll start with a Bendis title. Yes, a BENDIS! title: Alias. Not an underrated sleeper hit from Vertigo, or a hip black-and-white Fantagraphics or Oni title, but one that takes place squarely in the mainstream Marvel Universe.

The version of Jessica Jones in the series has been through ridiculous amounts of trauma, but she always comes across as a flawed but convncing survivor, mustering up the strength to just move on with her life. She's both superhuman (in her abilities) and human (in her personality and everyday life). And I think it's some of Bendis' strongest work, as a result.

Others, in descending order of mainstream popularity:

* the girls from the Runaways, in general

* the supporting cast of Ex Machina and Y the Last Man (notice a trend here? :wink: )

* the casts of Blue Monday and Hopeless Savages (Oni Press)

* just about every woman in Love & Rockets by the Hernandez brothers -- but especially the "Locas" characters

Just attempting to provide some examples that can be used as a basis for comparison, in any further discussions.
 
Arguably, the cover of books and the statues of them are meant to be the purest distillation of a character. They simplify the character and show their most important traits. When you walk into a comic book shop, they're the first thing you see. Newcomers will look at them, probably to see what the character is all about.

Yeah, which is sadly why many people will gratuitously use sex, violence, guest stars, foil covers, or whatever to sell the title, regardless of whether the content inside the comic reflects the cover or not. It's a damn shame.

Bass wrote a very long post that could be summed up in the sentence. "You're both wrong, now go sit in the corner while daddy drinks his scotch."

And the truth comes out. :D

Personally I rarely notice if a girl is dressed too scantily or if the position she's in is ridiculous. It's just a drawing. At the same time, Wade's original agrument seemed to be that women didn't like it because their not that hot and their jealous (he's now backed away from that to the point where I'm not sure he even has an argument anymore). Which Bass kind of backed up with the following.

That's ridiculous. The only reason that a woman could be offended by a superhero doing what is essentially a playboy spread on the cover of a comic is because it makes them feel bad about the way they look? It couldn't have anything to do with a complete lack of strong or realistic female characters or that the only reason most female charaters exist in a book is to be ogled by fanboys and to be the object of affection for the male characters? I'm not a woman and I'm bothered by the lack of believably written and drawn female characters in comics. Wade has a habit of yelling at and driving away any woman he speaks to, so this didn't come as much of a surprise from him. But Bass I expected a little more from.

No, you misunderstood. It's not that they are intimidated or made to feel about about the way they look. It's that they just make themselves feel bad about who they are. Not strong enough, not smart enough, not attractive enough, it doesn't matter. The hypocrisy is that it's not purely about standing up for a minority without a voice, it's as much about complaining about how they're upset.

I too am bothered by overtly sexually idealised women in comics, but I'm also bothered about violence and other things over used in comics. But generally, I am more for overtly sexually idealised women than I am for their removal - because it's censorship and I abhor it. If a guy wants to draw stupidly sexy women, let him. If it's not appropriate then he's being immature and silly, but it's his right to do so. That's free speech after all.

As for your own reasons for being bothered by the way women are depicted - you don't take it as a personal insult. This is my point.

The argument is about the potential damaging effect of sexually idealised women on the minds of people in society.

But the supporters act more like someone is trying to take away their stash, and the opposers act more like someone has just called them fat.

That said, I agree with most of his post.

Like most things in life, the average person is of a mindset somewhere in the middle, but we only hear from the two extremes and everyone in the middle is forcibly polarized. My Liberatarian heart brakes in two for a world divided by polar extremes.

This is very extremely true.

But at the same time - if everyone was in the middle, it would make for a boring world. Sure, more peaceful and less frustrating - but boring too.

Wow. You make a ridiculous blanket statement and then complain that this debate is handled so immaturely?

I don't think the statement was ridiculous. I thought it was rather well thoughtout examination of the contradiction between what each side professes is their 'side of the argument' and how it is somewhat incongruous with the way in which they conduct themselves.

Blanket statement? Well sure, but then, how can I possibly be expected to know the hearts and minds of everyone in the argument? Surely, all I can do, is examine the sides as best as I can and come up with a point of view informed by what I've observed.

I don't think that's a 'blanket statement'. I think it's an 'opinion'.

And I certainly wasn't being immature. Look at all the long words I used!

'cept bull****.

Come on. You're saying if the cover of the new issue of Superman was, as McCheese put it, a big close-up of Superman's ridiculously exaggerated bulge, you'd only be offended because you'd feel inferior?

Sorry, but not everyone secretly shares this complex.

No, I'd probably be surprised/offended to some extent. I'd consider if this was apporpriate considering the children who would see it, and the appropriateness of glorifying Superman's 'bulge' considering it has little to do with the character.

But hell yes, a part of me would be feeling inferior.

And that would probably be impetus for any discussion on the matter because it's a personal thing. Being concerned about the children or the appropriateness of sexualising Superman matters only in an intellectual sense unless I actually have a kid or am somehow writing/drawing Superman. Some people who complain do have children or are involved in the business, and that will influence how they discuss the issue. But everyone has those... 'bits' to get jealous about and we all do. It's just about severity. Some people go insane, and others barely notice. Most would have a little of it and not pay it too much attention since the character is fictional and not stealing their significant other.

It's not that it's just about the jealousy, it's that the jealousy is the personal involvement that turns the discussion from the ethical concerns of gender stereotyping inwards and makes people talk as though they've been personally insulted. Which only fuels the argument further.

This also assumes that all women "feel bad about themselves" because they don't have the kind of ludocris quadruple-D Power Girl is pushing against the proverbial lense on the cover of every one of her issues, which is an offensive a statement as I can think of.

Except I didn't say these things. I didn't say it's only women. And I didn't say it made them feel bad about how they look. Nor did I say women have inherently low self-esteem.

What I did say was that people who get particularly angry about this issue on the side of censorship and yell a lot about it, generally do so not because of the moral high ground of gender issues but because of how the issue makes them feel about themselves.

This is not the only factor, but it is a personal factor that drives the anger. Empathy and sympathy would be the tones if it was about the ethical considerations. Anger and frustration though, shows a personal involvement.

And it's not that they are chronically low in self-esteem. It's that this triggers those parts of their personality. Everyone is more similar than different, and those triggers differ. Some people get more morally outraged about a football match result than a kidnapped girl. Some people get outraged at comic covers.

People get very outraged against these types of pictures, and outrage is not created by the ethical concerns for others, but by the strong identification with those perceived as being offended. And one doesn't get offended unless one is made to feel bad about themselves.

Hence, my point that this argument is as fundamentally about society as it is about how those pictures make you feel about yourself.

Yes, like you say, ridiculously sexy people have other traits too, but the problem is that the other traits are what MATTER here, not the sex appeal. You can get rid of Supergirl's hilariously impractical short skirt and the story and personality would be identical. But get rid of her powers or personality and leave the physical traits? The character is now meaningless.

No. No trait is inherently more important than the other. Sex appeal is an important trait and if a character has it, it should be treated no differently than any other trait. To suggest the other traits are what matters is to make the same mistake as those who just draw the same pin-up girl in a different costume, just from the other end. It's the same mistake - not treating sex appeal fairly. Either you idealise it or ignore it.

With the exception of those without sex drives (children, robots, the elderly in some cases, what-have-you), sexuality will be apparent in every character. The level to which is totally dependent on the character being portrayed. Catwoman, She-Hulk, Power Girl - they should ooze sexuality. It's as much part of their characters as their super powers. Caitlin Fairchild though, not so much. She doesn't see herself as particularly sexy and that element of sexual shyness is as important to her character as her super strength. Kitty Pryde is very much a character who doesn't use her sexuality to get what she wants, and is depicted as such. Jenny Sparks is ancient and full of resolve, she doesn't need to use her sexuality to get what she wants and treats it casually.

But the trait of sex appeal can't be ignored, nor can it be exaggerated. It should be treated properly.

I'm sorry, but looking at the the two points you claim are equal problems, I really have to stand firmly on one side of the scale.

That's fine. But from my point of view, the 'side' your on is making the same mistakes as the other 'side', just the mirror reflection.

It's about the gratuity of sex, not sex itself.
 
"Lets face it; every girl I know who reads comics (all two of them) hate the way women are portrayed in every modern comics."

In the extras to X-Men: The Last Stand (2006), Ellen Page, the actress who plays Kitty Pryde, was keenly aware of the fact that she was showing up for a fight in skin-tight black leather, and not in a good way. It was clear from her attitude as she called attention to this that the dumbness and sexualization of that was not lost on her.

I don't think changing comic book costumes to X-Men style costumes would be enough for woman not to see this as dumb, sexual, influenced by the male gaze etc..

So what costumes are going to work for women?

Likely those that will work for chick-flick genres.

But that won't work for the superhero genre, so change the comics to be more chick-flick-y.

And then, if you go far enough in that direction, reasonable numbers of women will say, if asked: "That's better."

But they still won't buy it, because that's basically not what they want in the first place, and they'd rather spend their money on something they do want in the first place.

If the next Batman movie that comes out conforms to all chick flick genre conventions as tightly as Just Like Heaven (2005), women will think more of it but still not enough to go see it in substantially greater numbers, while the male audience will desert it as though there was a stink-bomb let off at the beginning of every screening.

Doesn't this make sense? Are guys going to go to a total chicks-only property with a few grace nods to masculinity like say a car chase and a male hero who does not faint at the sight of a drop of blood, when there's a red-hot testosterone charged real action movie they could see instead? No way. When there's a good choice, you spend your money on the product you basically want to see, not the one basically don't want to see but that has been distorted from the purity of what it really is to pull you in as an extra source of revenue.

(Leaving aside the special case of women dragging along their significant others to see a movie.)

Guys, are you about to get a life subscription to Dolly ('cause "Dolly is a girl like you!") if it adds a four page section for men?

Attempts by Marvel and DC to drag in big female readerships have been made over the years, and they have not worked out over the years.

So the bottom line is, the costumes may as well suit a male audience. At least that way they'll suit some paying audience or readership.
 
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Attempts by Marvel and DC to drag in big female readerships have been made over the years, and they have not worked out over the years.
Not a firm believer in the chances of the MINX line, I presume?

I just picked up The P.L.A.I.N. Janes, and I, for one, LOVED it. (And I'm a 28-year-old guy often derisively described as having the tastes and preferences of a 18-year-old riot grrrl from 1992.)

I do honestly believe that with the strong marketing push (assisted by established teen-girl-market specialists Alloy), the MINX imprint stands a good chance at increasing DC's share in that particular market segment by giving readers a well-rounded, complex depiction of young women, as a larger part of telling interesting stories.
 
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I'm remembering such magnificent successes as Fashion In Action, which had as I remember four female characters doing adventures and kicking tail as much as or more than any men, but with the point that they were always dressed fashionably, looking good by female standards and not by (illegitimate) male standards.

No series could have more fully taken on board criticism of how women look in comics for a male audience.

Or tanked harder.
 
I'm remembering such magnificent successes as Fashion In Action, which had as I remember four female characters doing adventures and kicking tail as much as or more than any men, but with the point that they were always dressed fashionably, looking good by female standards and not by (illegitimate) male standards.

No series could have more fully taken on board criticism of how women look in comics for a male audience.

Or tanked harder.
Okay, we're definitely not on the same page, with regards to this subject, obviously.

I suspect i'm in the minority here, but I refuse to believe that superhero narratives necessarily appeal to "male" sensibilities (if, indeed, such sensibilities exist beyond the surveys and focus groups of target marketers).

I think Alias (both the TV show and the comic), Buffy the Vampire Slayer, Heroes, Veronica Mars, Slott's She-Hulk (as mentioned elsewhere on this thread), David Mack's Kabuki, and Runaways are all examples of action-packed, plot-oriented, "effects"-laden narratives that appeal to ALL genders, without sacrificing quality characterization, one way or another. All of them feature women of varying degrees of 'realisticness' and complexity.

I don't see why this has to be some over-simplified Venus/Mars debate about "men's" and "women's" tastes and preferneces. It just doesn't ring true to me.

And YES, I would happily pay to read more comics like the Luna Brothers' Ultra, which attempted to combine superhero tropes with Sex & the City/Bridget Jones style "chick lit" sensibilities.
 
Okay, we're definitely not on the same page, with regards to this subject, obviously.

I suspect i'm in the minority here, but I refuse to believe that superhero narratives necessarily appeal to "male" sensibilities (if, indeed, such sensibilities exist beyond the surveys and focus groups of target marketers).

I think Alias (both the TV show and the comic), Buffy the Vampire Slayer, Heroes, Veronica Mars, Slott's She-Hulk (as mentioned elsewhere on this thread), David Mack's Kabuki, and Runaways are all examples of action-packed, plot-oriented, "effects"-laden narratives that appeal to ALL genders, without sacrificing quality characterization, one way or another. All of them feature women of varying degrees of 'realisticness' and complexity.

I don't see why this has to be some over-simplified Venus/Mars debate about "men's" and "women's" tastes and preferneces. It just doesn't ring true to me.

And YES, I would happily pay to read more comics like the Luna Brothers' Ultra, which attempted to combine superhero tropes with Sex & the City/Bridget Jones style "chick lit" sensibilities.

All good points.

And Ultra was pretty good....although at times some of the dialouge was contrived and you could tell it was men writing it from a standpoint on what they think women would say instead of what women would say naturally.
 
And Ultra was pretty good....although at times some of the dialouge was contrived and you could tell it was men writing it from a standpoint on what they think women would say instead of what women would say naturally.
That's exactly how I felt about Ultra.
 
And the truth comes out. :D
I thought so.
No, you misunderstood. It's not that they are intimidated or made to feel about about the way they look. It's that they just make themselves feel bad about who they are. Not strong enough, not smart enough, not attractive enough, it doesn't matter. The hypocrisy is that it's not purely about standing up for a minority without a voice, it's as much about complaining about how they're upset.
That makes more sense. Thank you for clearing that up.
I too am bothered by overtly sexually idealised women in comics, but I'm also bothered about violence and other things over used in comics. But generally, I am more for overtly sexually idealised women than I am for their removal - because it's censorship and I abhor it. If a guy wants to draw stupidly sexy women, let him. If it's not appropriate then he's being immature and silly, but it's his right to do so. That's free speech after all.
I too support an artist's right to draw ridiculously disproportioned women fighting robots and dinosaurs whilst looking overtly sexual in every single frame, but I don't think it should be the industry standard. I also support women's right to complain if they feel they are being marginalized and/or poorly represented. If people don't complain then nothing changes. Which is why I stuck my big fat nose into this argument that isn't really my own and got "all up in your grill" as the kids say.
As for your own reasons for being bothered by the way women are depicted - you don't take it as a personal insult. This is my point.

The argument is about the potential damaging effect of sexually idealised women on the minds of people in society.

But the supporters act more like someone is trying to take away their stash, and the opposers act more like someone has just called them fat.
Fair enough.
This is very extremely true.
Of course.

I wrote it after all.
 
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[snip]I'd like to start listing titles that *do* feature relatively positive -- or even better, complex and believable -- representations of female characters. Houde already mentioned Leave It to Chance. But what else?
Some of these are pitched toward girls in upper elementary or middle school, but:

  • Alison Dare (subtitled Little Miss Adventures), who is the daughter and neice of superhero crimefighters, leads her friends Dot and Wendy on a series of adventures, many of which start with the archaeological work of Alison's mother. The girls track down historical treasures, thwart thieves, and generally get into one scrape after another. The stories are written by J. Torres and J. Bone.

  • The Courageous Princess, by Rod Expinosa. Mabelrose may not be very good at dancing, court intrigue or flirting, but when she's kidnapped by a dragon, she frees herself and begins the long trek home with the help of a porcupine and a wild boar. She uses wits and courage to overcome her adversaries.

  • Would Jeff Smith's Bone fit in here? Or are you looking for strictly superheroes?

I just picked up The P.L.A.I.N. Janes, and I, for one, LOVED it.
I have the first trade of this on order, just to see how it circulates.

I've got a few other thoughts to add to this, but I'm going to wait until I get home from work and can give it the time and thought necessary.

Oh, and thanks for the blog link, TwilightEL. I've got it bookmarked and will go back to read more of it as I have time. I have to say I agree with a lot of what the writers had to say about women in comics.
 
Hi TwilightEl-you asked me what I meant by tomboys in comics:

Yes, the rough-and-tumble ladies who fight hand-to-hand combat.

I forgot you're a female-why were you saying my comments about comic book tomboys are off-topic?-I was refering to comic book females. :?

Why isn't any one addressing this?

I kind of prefer the woman that wears pants and acts like one of the guys-I can relate to someone like that-as long as she's not trying to be a man.
Even so, why do they try to objectify them also in comics?

Seeing the Major in the GITS manga was a turnoff. Why was she wearing a leotard if she's a cop?

Why do they give "bad girl" types sex appeal?
 
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Why isn't any one addressing this?

I kind of prefer the woman that wears pants and acts like one of the guys-I can relate to someone like that-as long as she's not trying to be a man.
Even so, why do they try to objectify them also in comics?

Seeing the Major in the GITS manga was a turnoff. Why was she wearing a leotard if she's a cop?

Why do they give "bad girl" types sex appeal?
Oh crap! I missed that original post. I do apologize -- understandably, the discussion jumps form one sub-topic to another quite frequently, given the broad subject matter.

I have one possible explanation.

But first, I'd like to establish who exactly you're referring to -- I believe you mean characters like Renee Montoya from Gotham Central/52, or Anna Lucia from Lost, yes? (I'm not talking about Latina characters, specifically; it just so happens to be one of the many inter-related stereotypes.)

Neither of those characters (in particular) struck me as overtly sexualized (in an exploitative way) althought they are never denied their sexuality, as characters, or written as inexplicably chaste or disinterested in sexual relations.

Same goes for Agent 355 and Dr. Mann from Y the Last Man. It's probably no coincidence, then, that three out of the four characters I mentioned are explicitly represented as lesbian/bisexual.

But they *precisely* appear to be exceptional cases, because of that. So you're definitely onto something with the needless sexualization of "tough/tomboy" characters.

I think it's because when a tomboy character shows up, the tendency of a 'market-oriented' writer is to sensualize her toughness, and write her into a vamp-type character, instead. Think Cassandra Cain, post-Infinite Crisis.

(There is already a previous thread started, regarding vamp archetypes in American comics, I believe.) You might want to read through it, for additional ideas about "unfeminine" tomboys vs. vamps/femme fatales, as two aspects of female toughness.

I'm definitely open towards leading the discussion in that direction, because it's one of the elements most directly relevant to how women are portrayed in 'mainstream' superhero comics.
 
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Who are the most popular Black, Asian, Indian, Hispanic and other non-white women in comics, and why are they popular?
 
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Who are the most popular Black, Asian, Indian, Hispanic and other non-white women in comics, and why are they popular?

You ask waaaaaay too many good questions to be a fake account.

I *suspect* I know why you're bringing this up. I don't think I can answer your question, in a satisfactory way, because my sense of what is "popular" is extremely screwed up, because my closest friends have relatively similar tastes as myself. Furthermore, I don't regularly read sites like Newsarama or IGN or UGO. So I'm in in any position to come up with a good response.

I just wanted to say that I like the way think, Mavericker. Glad to have you on board.
 
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Wouldn't a popular Non-white woman character be Storm? She's the only one i can think of
 
Who are the most popular Black, Asian, Indian, Hispanic and other non-white women in comics, and why are they popular?

Wouldn't a popular Non-white woman character be Storm? She's the only one i can think of

Hmm, Storm, Dr. Alison Mann, Agent 355, Nico (from Runaways), Psylock (kinda), and Cassandra Cain are off the top of my head.
As for why they are popular...in most of those cases they are well written strong female characters. Also, Psylock dresses skimpily.
 
Hmm, Storm, Dr. Alison Mann, Agent 355, Nico (from Runaways), Psylock (kinda), and Cassandra Cain are off the top of my head.
As for why they are popular...in most of those cases they are well written strong female characters. Also, Psylock dresses skimpily.

Notice that you mentioned:

* 3 characters created by Brian K. Vaughan;

* 3 lesbians (4, if you believe that Nico is bisexual; subject to interpretation -- she might be bi, but genuinely regards Karolina, in particular, as a sister/friend)

Also, are the Y the Last Man characters honestly "popular"? I know the series definitely is (and I like it as much as the next guy), but how much of a following do the *characters* have, individually?
 
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