Lynx
Well-Known Member
Khan and Kirk had clearly defined roles, but there was so much more going on in that movie. Accepting responsibility for past mistakes, with Kirk paying for his punishment of Khan and meeting his son, a whole bunch of family stuff, friendship, the morality of genesis, the needs of the many versus the needs of the few, it was pretty deep.
This new movie was just "stop the bad guy."
Spock struggling with his emotions and how he isn't ready for command, the power of friendship, Kirk dealing with the fact that he is destined for greatness, dealing with grief in a destructive versus constructive way (Nero vs Spock Prime), the Enterprise's crew being morally superior to Nero and his crew by offering them mercy, etc.
Saying it was just "stop the bad guy" is just asinine. It may not have been as cerebral as other Trek movies, but come on.
All that stuff was underdeveloped or pushed to the background for action and jokes and more action. See my example a few posts up.
So, I do dare to say the movie was just ''Stop the bad guy," because that's all it was.
Which is fine, it was a good movie, but it is a massive shift in tone from previous Star Trek, and the fact that I can't even discuss it without riling everybody up is pretty interesting.
It sounds like you are determined not to see past the action. Yes, the action and humor were forefront. That's how movies are made nowadays. But it wasn't devoid of that. Hell, you could say that Kirk's destiny and the development of Kirk and Spock's dynamic was just as forefront as the action.
I mean, hell, you could say that The Voyage Home was just jokes at the expense of the crew being fish out of water. Everything else was just background. It's ridiculous.
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