Ice
Teh Sexy Monkey Queen
This needs to happen.
When you look at the formal requirements imposed on Whedon's script by Marvel, it's clear that AoU actually couldn't have been good—that Marvel, not knowing or caring how good movies work, mandated that Whedon make a bad one. To name just a few of those requirements:
•Too many characters. This is standard Marvel strategy — they go by the premise that all it takes to gratify their base is dropping a name that's familiar from the comics, and so far, it's paid off — but the never-ending quest to "improve" each movie by adding a sidekick, and another sidekick, and three villains this time, plus that other superhero you might know about if you read every Avengers comic from 1971 through 1973, has resulted in a movie with, by my count, fourteen central characters. The movie is only 141 minutes long; that might seem lengthy, but if you were to somehow divide it up so as to give each character an equal amount of uninterrupted focus, you'd only have around 10 minutes for each character. In practice, you get less than 10, because…
•No matter what, Marvel's structure mandates at least one fight scene every 20 minutes, and most of the time, those characters aren't having in-depth discussions while they fight. This has to happen even though we almost always know how those fights will end, because
•The movie also has a pre-determined narrative, which we know because it's the same narrative every Marvel movie adheres to, which is, roughly: There's a thing and a bad guy and the bad guy steals the thing, so they fight. They lose one fight and then they lose another fight and then they win the last fight. The end.
•We also need to end the movie in such a way that all of the characters with ongoing franchises can go back to those franchises, alive and more or less unchanged.
•So, once Marvel's formula has deprived the movie of (a) time for the characters, (b) the potential for the story to unfold in a surprising way, and (c) meaningful consequences, we then get each character's maximum 10 minutes of focus (which is now more like five or six) cut down even further, with ads for other Marvel products. In Age of Ultron, we lose several minutes of valuable time that could be spent developing our characters to visit Wakanda and establish Andy Serkis as a villain, not because he's important to the plot—he'll totally disappear after this one scene—but because there's going to be a Black Panther movie. Thor has to be taken out of the action for a while so that his scientist friend can help him hallucinate the premise of Infinity War. Captain America gets a flashback that doesn't relate to the plot, but does remind you that he used to date Peggy Carter, who you can catch every week on ABC's own Agent Carter! Etcetera.
With all these requirements eating up the screen time, there's practically no room left to make a movie. There's definitely no room to make a Joss Whedon movie, because Joss Whedon movies are about two things: Character development and dialogue. I don't have a particular stake in whether Joss Whedon is a great feminist or not. (Again: please don't watch In Your Eyes.) What I know he can do is people talking.
So there's your other interpretation, the thing I think is at the core of Marvel's contempt for people: Punching is better than talking. Doing is better than thinking. Instinct is better than intellect; big is better than smart. We don't need to understand the Stormtroopers; we don't need to talk to them. That's thinking, which is boring. We just need to kill: They don't have names or histories or families or feelings, and by slaughtering them, thousands of them, we prove that we can do.
Anyway, I do think that the pace at which the Marvel universe is expanding is ultimately going to be it's undoing. At some point it's going to be unmanageable, either for the people in charge of plotting these movies or for the audience that is supposed to follow all of these plot lines from separate movies and TV shows. Part of that is the fans' fault for wanting new characters and villains in every movie. I don't think Age of Ultron was quite the mess that the author made it out to be, but it was weighed down by too many characters. It might become a real issue as Marvel adds more and more characters as it progresses towards their Infinity Wars movie.
Thanos wasn't in the actual movies for both Avengers films. He was in the post credits. That isn't part of the movie, only something extra. If those scenes had been in them, then I'd see what you're saying.I've said before that each Avengers movie should be the one where all the plot threads get pulled together. The solo movies need to tell their own solid stories with elements from them leading into the next Avengers move. But the Avengers movies shouldn't tease the next Avengers movie. That's too much. Thanos didn't need to be in Avengers, Guardians, or Avengers 2. Avengers 2 doesn't need to be setting up for Cap 3. Cap 3 can build on stuff from Avengers 2, but it shouldn't be up to Avengers 2 to set up for Civil War, it had enough going on.
Thanos wasn't in the actual movies for both Avengers films. He was in the post credits. That isn't part of the movie, only something extra. If those scenes had been in them, then I'd see what you're saying.
That said, I disagree with the o , although I completely understand your point. Besides the Thor waters scene in AoU, the rest worked fine as both the narrative of the film as well as set up. And if Thanos didn't need to be in any of those films, where should he have been? He needs to be somewhere; he just can't pop up in Infinity War and be all "Oh yeah, it was me behind the scenes the whole time. Surprise!"
Ultron breaking open the sceptre so he could put the gem on Vision's forehead, Thor's vision quest and realization that someone was pulling the strings (by the way, how was he pulling any strings in AoU?),
I didn't get the impression that Thanos was supposed to be pulling the strings in AoU. I'm not sure if Thor's visions related to the Infinity War or Ragnarok (I think probably the latter), but I just got the impression that he was concerned that these stones were being found. The yellow stone in this movie was essentially a hold over from Avengers 1 (it being inside of Loki's scepter), but it's not like it required Thanos to do anything else.
I wouldn't say that means Thanos was pulling them in AoU. Thor's words were meant overall and not just specifically for the Avengers movie.Thor specifically said something along the lines of "someone is pulling the strings"and leaves at the end of the movie to find out who it is. And then in the mid credits scene, Thanos said, "Fine, I'll do it myself" referring to collecting the infinity gems.
So in what seems like yet another petty **** you fox , Marvel are making the Quicksilver Scarlet witch origins match their film *face palm* http://uk.ign.com/articles/2015/02/26/quicksilver-and-scarlet-witchs-new-comic-book-origin-revealed
I wouldn't say that means Thanos was pulling them in AoU. Thor's words were meant overall and just specifically for the Avengers movie.
how juvenile. just think, if it wasn't for the work of Fox, Sony and other studios for initially financing Spider-Man, X-Men, Fantastic Four, etc movies, Marvel would never be able to establish their own movie universe. it seems pretty ridiculous to me.
Exactly and every time Disney/Marvel try to screw fox like cancelling FF (It seems way too obvious this was why) i think it's not Fox but it's the fans that suffer.
I wouldn't say that means Thanos was pulling them in AoU. Thor's words were meant overall and not just specifically for the Avengers movie.
My thoughts exactly. If they didn't intent for Thanos to be pulling the strings in AoU, there isn't anything in the film to indicate that. Who knows though, maybe that was the intention and it was left on the cutting room floor with a ton of other things.
In other news: Asa Butterfield reportedly cast as Spider-Man
So in what seems like yet another petty **** you fox , Marvel are making the Quicksilver Scarlet witch origins match their film *face palm* http://uk.ign.com/articles/2015/02/26/quicksilver-and-scarlet-witchs-new-comic-book-origin-revealed
Who is suffering, exactly?
How is it different from any other retcon they do?
I just think it's too bad that they can't seem to strike a similar deal with Fox to the one they struck with Sony.