I just read the current issue, so I'll discuss that in a moment, but first. . .
So I missed all the lesbian Buffy controversy for the last couple of pages, but my take on it is that for the last couple issues, they've really been harking on Buffy's feelings of disconnect. How she brought all these people together, but yet she's the one that's alone. Everyone is connecting on some different level---whether it's Xander and Renee…or Willow and whatever girl she's dating…or even Dawn and the Thricewise. Everyone has a connection, be it romantic or even friendly.
But outside of Willow and Xander---Buffy remains alone.
Buffy still connects with Xander on a personal level. Willow. . .not so much, especially after the revelations of issue 10. And Satsu is basically her protege.
Thing is, though, this has been done before. In Season 6. Buffy couldn't connect with anyone other then Spike. It's a retread. Buffy has since grown as a character and, in Season 7, as a leader. She should be past this.
So it's understandable that when she's under spell and the only way to awaken is by a true love's kiss…out of curiosity (and possibly a bit of desperation) she'd explore that avenue to see what kind of connection could be there. And obviously, since she's never figured herself to be attracted to the same sex, she'd be a little reluctant to embrace that route. I don't think it was lame or a publicity stunt---but merely a situation created to explore Buffy's journey to find someone she can connect with.
Perhaps. . .but, she knew she wasn't gay. She
knew that. And, not only did she know it, so did Satsu. It was an effort in futility.
With that outta way, I found the whole situation funny when everyone kept walking in on them. But this last issue with Dracula was classic Buffy. I lost count of how many times I LOLd.
Dracula and Xander's interactions were fantastic.
Dracula: Manservant, tell your moor to watch her tone.
Xander (to Renee): Watch your tone moor.
:lol:
Probably one of the best issues I've read this entire series. Even better than the BKV issues which were superb.
I definitely agree. Other than the actual sex scene, the rest of both issues 12 and 13 were Buffy gold. Even as someone who was never a fan of Dracula in Buffy, it really, really works well. I have to say that Xander is easily my favorite character this season. He's grown exponentially as a character while still remaining Xander. Whenever he talks, I can hear Nick Brenden's voice in my head.
What I find odd, however, is that the weakest issues of this season were written by Whedon himself. The three one-shots were decent (Although issue 10 confused the hell out of me on the first reading), but Vaughan's and, now, Goddard's arcs are leaps and bounds better. I am looking forward to the Fray crossover, however, as I was a big fan of that series.
What I'm not looking forward to is issue #20. Loeb is writing it. It's only one issue, but THE HORROR. . .the rest of the series should be good, though. An arc of one shots written by Jane Espenson, Doug Petrie, Drew Greenberg, Steven S DeKnight (All ME writers) and Jim Krueger (Earth X, Justice, WOO!), followed by an arc by an undecided writer, followed by an arc by Brad Meltzer (Again, WOO!) and the final arc by Whedon again. And then, Season 9.