There is an explanation. It's called artistic license. I think what we tend to lose track of as comic book fans is that the telling of the story is more important than the semantics. We comb over everything to make sure it fits in continuity or stands up to the rules of the universe but we forget that sometimes these things can get in the way of telling a good story. Comic book writers only have so many panels to express the emotions of their characters where actors have a depth of changing expressions to do it with and writers have countless words to use. I just don't see how a stylistc choice like that gets in the way of enjoying the story.
Agreed.
I really don't get how it's dumbing down the comic. Could someone please explain?
I personally meant it in the cynical light of certain people needing extra, much more apparent factors and input for them to figure something out. You know, dumbing down.
My point is, I see where E is coming from, and can't whole-heartedly disagree, but at the same time I don't mind it and can see the need for it.
gondee said:
I like Bagley just for the record. I'd have no one else on USM. IMO no one does faces better than him.
Really? Have you seen Brooks work in the USM Annuals (both last year's and this year's, due out next month)?
I like Bagley, but I honestly like Brooks work much more. Its not too different from Bagley, but just different enough to bring some new life to the art.
DIrishB said:
I was just thinking...what if the guy who kidnapped MJ was Shaw (you know, Norman Osborn's henchman who tried to run Peter over in the first arc, and appeared as a hallucination to Harry in the Hobgoblin arc).
Now, it can be argued he doesn't exist because of what happened in Hobgoblin, but at the same time, in the first arc of the series, Peter did see him and interact with him to a degree, which means he has (or had) to exist.
And this would be a direct connection to Norman Osborn, pulling the strings even while locked up (or in cryogenic freeze, depending on which continuity Bendis picks up on).
What? No one thinks my theory has any merit? Come on, I called the Hobgoblin/Harry origin long before it was confirmed, and I bet I'm calling this one. Besides, Norman knows MJ is (or was) Peter's girlfriend and that he cares about her, so he'd seems like a likely connection for the kidnapping.