Lets face it,we will be seeing more of them in the future...and some might not think its a good thing.With these kinds of movies being seen by all people,not just comic fans.What kind of impact will this have on comics,and how non-comic fans see superhero movies?
Again, I had ceased to be a comic fan and became one again because of the movies, so that's my perspective. I think this - I was about to say this can only do good, but then I remembered
Catwoman (2005) - I see it as a very positive thing on the whole. People are seeing the edited best of the characters, in many cases, better than they would get if they bought comics randomly, and far, far cheaper.
Compare the cost of seeing each of the Spider-Man movies on the beautiful big screen to the cost of buying the whole Clone Wars saga as it came out. Which would do more to give you a love of the character, at a cost you could justify to yourself and your significant other?
Will only iconic or well known franchises like Superman,Batman and Spider-Man have great sales.
Fantastic Four (2005) broke the great box office slump of 2005 by itself, and it wasn't even a polished movie. (As a Fantastic Four fan, I've got a serious case of envy for the kinds of movies that Batman and Spider-Man fans have been treated to.)
And the Blade franchise was chugging along nicely until that train wreck of a third picture.
Blade (1998 ) shows it's possible to be cooler on the big screen than on the page. That alone is enough reason to praise superheroes at the movies, in my view.
You can make a steady profit with movies like that, with not too much risk. You don't have to shoot for the moon with the idea of making "great" amounts of money compared to the Shrek movies or bust.
Or will people shy away from other superhero movies because they might be of characters they do not know about?
Probably the movie to justify that concern about characters people don't know is
Æon Flux (2005). But that was not a very good movie, and it came out after
Catwoman (2005) had poisoned the well for bad babes and after
Elektra (2005) hadn't been good enough to turn that negative impression around. And then came
Ultraviolet (2006) with a new character, which in Australia at least went straight to DVD. So the theory that you can sell a comic book movie with nothing but a beautiful star has been tested four times and failed four times lately. I would not invest my money in the next bad babe that tests that theory again.
The obvious answer is that if you ask audiences to invest in a lesser known character, you need to provide more than the star. You need an exciting movie with assets like a hot romance, which none of the above movies had, and you need to provide things the audience came to see, like lots of Jennifer Garner in some reasonable film-able approximation of the classic red. And you need to not be swimming against that strong a current.
If you simply make a good movie with good acting, like Ron Perlman as Hellboy in
Hellboy (2004), you can easily make enough on DVD sales to justify a sequel with a similar budget, which we will see. And as a fan, that's all I want.