So, I saw this on Wednesday, and my big question (other than whether or not I now have to go to confession for seeing a movie I was told to boycott) is what the big controversy really is.
I won't dispute the idea that you should comply with the boycott, but I seriously doubt you should go to confession for seeing it. I mean, seeing it is not a sin, nor is disregarding the orders of the church group a sin itself. If anything, you can always say its "oppositional reconnaissance".
Seldes Katne said:
The Magisterium reminded me far more of the Third Reich than of the Roman Catholic Church. The special effects were quite good, and although the plot really did move very quickly and I could have wished for more character development, it wasn't that difficult to follow. Of course, I have read the books, so that helped. I would recommend the books over the movie, but that's true most of the time anyway.
A lot of the pre-reviews agreed with you. The Magisterium and The Authority are pretty much a 'non-denominational oppression group' in this film, and I don't have any problems with that (and by all reports, neither does Pullman --- it still runs along the same 'People should be free to give authoritarian hegemony the finger!' motto he espouses)
My problem with the film, and the reason why I hated it so much has nothing to do with the removal of religion or any issues of 'quality of adaptation'. The production values were great, performances were superb and most of the characterization resonated faithfully with the book.
My problem was that the pacing was so damn fast that it lost a lot of the texture and indirectly made the book look like nothing more than one deus ex machina after another with Lyra being led along haplessly by such things. And I don't fault the film-makers 'faithfulness' for that so much as I do the pacing, which makes a lot of the things that are apparent in the book seem nonexistent in such a visual medium as film.
Lyra in the book is a devilish liar who gets better and better at being such a con, but you get no sense of that in the movie. Iorek naming her 'Silvertongue' is still fine because she deserves it for such a clever lie, but it still seems like her clever conning skills come from nowhere.
Also, Ragnar Sturlusson (or Iofur Raknison in the books) and his desire to have a daemon of his own lacks the gravity it does in the book because they don't try to bring the notion that the 'panserbjorne are not humans' into sharp relief. In the books, this desire for a daemon is noteworthy because panserbjorne aren't meant to be 'human-like bears' or even 'anthropomorphic ursa' and they emphasize their lack of humanity-ness over and over.
I'd say more, but this broken keyboard of mine is a real ***** to type with.