I picked
From Hell. EVERY time I pick it up, I mean every time I am blown away by it. It's not Moore being his mindbending, experimental self. It's not Moore reconceptualizing familiar faces or idea's. It's not Moore stating a message (well, actually yes it
is, but sue me I need a third bullet point
). No, it's just good, old fashioned, god damn virtuoso comic writing. You read it and you read it and you read it, and you think "well, this is ok but it seems to meander" but for some reason you can't take your attention away. And then you get done, and you just kinda think for a second, and then you say "how the hell did he write that?" because it's like a jigsaw puzzle of the sky. All the while, all these pictures, they don't seem to fit, but he puts them together for you, one by one, and in the end the picture is clear and simple. God, I'm going to have to go reread it now.
Anyways, on his other works.
Swamp Thing is probably runner-up for my favorite stuff to read by Moore. It's just so. . . well, Moore, but in a real slick way.
Promethea is great, but I've got to be in the mood;
Miracleman kicks it like old-school def-jams but I've read it too much. Same for
Watchmen,
Killing Joke, and
V for Vendetta.
Supreme was great but for some reason it takes an effort for me to read.
You know, discounting my top two picks, I think the two works by Moore that I've gotten the best just pure enjoyment out of were his
Captain Britain which was great fun and (I'm slightly disappointed it's not listed here)
1963. It was just pure whimsy with arsenic and bile running through it's veins. I don't know, but it just tickled me, especially the whole "Affable Al" persona. Good stuff.