Ice
Teh Sexy Monkey Queen
Careful what you say about Bagley's art. Remember what happened last time?
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Ice said:Careful what you say about Bagley's art. Remember what happened last time?
I heard Bagley drew Doom's mask squinting.
E said:Post of the Day.
I read it.
The way I interpreted it was it was bringing Doom back to the universe proper while teaching him that a universe ruled by him wouldn't work.
It gave Nathaniel a way out of the universe proper.
And it gave future Val what she wanted, a place to do work uninterrupted.
1) His characterization of Johnny was pretty 2D and boring
and 2) his stories all followed a very similar arc. They were all four issues long and had almost exactly the same pacing. An issue of set up, two and a half of escalation, and half an issue of resolution. The resolutions kind of got to the point where they were too quick and neat. But yeah, it was more interesting than F4 usually is.
Then I started on Hickman's run. I'm only 5 issues in so far, but wow... I am really digging this. I think he has three things working for him: 1) He knows exactly where this story is going
2) He has enough crazy and weird ideas to make the "sci-fi/explorers" feel of the book work well
3) he does the family dynamic really, really well (I'd say that's probably the most important element).
EDIT: I just now noticed that Hickman started his run with the Dark Reign: Fantastic Four miniseries. Is that worth checking out? I know he designs the bridge in that miniseries.
The world sucks. I'm not saying this as an anachronist or idealist, but one of the reasons for this conditions is the expectation of family as a thing of permanence is dying. Which is actually what makes the Fantastic Four so interesting, they exist in opposition to that -- they are a perfect family in an imperfect world...and they represent the hope of what COULD BE. The franchise became relevant again because we tapped into this in a way that resonated, and, even more importantly, the driving force behind it was something we could all understand. Wasn't it?
After all, what was it that made Reed choose his family when he should have chosen utopia? What made Johnny sacrifice himself and what brought him back? What broke an unbreakable Ben Grimm and then found a way to make him whole again? What made Susan strong enough to stand when the others fell? What made Nathaniel always come home, and what was it that made Val and Franklin sacrifice everything to save their father?
It was love. Boundless, unconditional, to the end of time and back, lift you up from death itself, LOVE.
And what's not fantastic about that.