*** reposted and expanded with new updates ***
In order to celebrate my triumphant return to the board, I give you...
NEW JERSEY
A sweeping, epic period musical that documents the history of the Garden State between the two World Wars. It's both a classic love story, and a tribute to the various cultural, political, and social influences that shaped the region. And it's all set to rearranged versions of hits from...
Bon Jovi. No, seriously, you read that correctly.
Bon Jovi.
Please, hear me out. It will all make sense, I promise...
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THE STORY
Union City, New Jersey. 1934, in the midst of the Great Depression. We meet our protagonist,
Tommy Marella (
Michael Angrano of
Sky High), a jobless 19-year-old with the soul of a poet. He finds a copy of a poetry magazine discarded near the
Park Performing Arts Center, and reads the popular verse
"Trees", by the late
Joyce Kilmer, the Roman Catholic poet and fellow New Jersey native. The idealistic young man recognizes his calling, much to the frustration of his hard-working, booze-swilling single father (
James Gandolfini, of
The Sopranos).
Frustrated by his dad's lack of support, Tommy decides to strike out on his own, determined to fulfill his romantic dream (
"It's My Life").
Together with his more brusque and street-smart childhood buddy
Donnie Ponza (
Frankie Muniz, from
Malcolm In The Middle), he moves to Weehauken and gets a job on the construction site of the
Lincoln Tunnel, connecting New Jersey to Manhattan.
Meanwhile, in Atlantic City, millionaire playboy
Solomon Medici (
Smallville's Michael Rosenbaum, now with HAIR!) -- heir to a real estate fortune -- lives with the pressure of maintaining his father's business empire, dreaming of opening a grand hotel on the seafront.
From Tommy's crowded hovel, and Solomon's penthouse suite, each man sings of the weight of his ambitions (
"The Hardest Part Is The Night").
On the job site, Tommy quickly earns the ire of a hostile, slave-driving foreman (*still to be cast*).
After shift hours, Tommy becomes a regular at the Starlight, a 24-hour diner, where he routinely trades friendly but opposing ideas with its propietor
Spiro (*still to be cast*), a Greek socialist, displaced from his homeland by World War I. It's here that Tommy meets new Sicilian waitress
Gina Scalia (
Spy Kids'
Alexa Vega), who dreams of becoming a famous stage performer on Broadway. After one passionate night along the waterfront, the young idealists declare their undying love (
"Never Say Goodbye").
Tommy has found a muse, granting him a newfound will to live. The couple move in together, making them the subject of malicious gossip from conservative neighbors (
"Living In Sin").
But things are starting to get difficult for the lovers. With the passage of the
National Labor Relations Act, work on the Lincoln Tunnel comes to a halt; the suddenly-empowered union plays hardball with the contractors, leaving Tommy unemployed once more. Even as Gina makes her best efforts to make ends meet, life is a struggle (
"Living on a Prayer").
Gradually, Tommy turns to his Catholic upbringing to find strength; he vows to make life better for his ladylove (
"Bed of Roses").
One night, Tommy follows a
Mysterious Stranger dressed in a WW1-era uniform (
Mark Wahlberg in a silent cameo) -- implied to be the ghost of Joyce Kilmer. He ends up in an illegal recruitment office, where he learns about Solomon's plan to expand the grand Savoy hotel, in Atlantic City, in defiance of the local unions. Tommy decides to take a chance, and signs himself up as a laborer on the project.
Tommy and Gina are overwhelmed by the sights and sounds of Atlantic City: the amusement parks, the boardwalk games, the ornate leisure palaces. They make a promise to each other not to become overwhelmed by all the glitz (
"I'll Be There For You").
Gina eventually catches Solomon's eye. He sends one of his lackeys, show promoter
Viggo (
Jeremy Piven, of
Entourage) to sign her up as a lounge act in the Savoy. With Solomon's unseen influence, she becomes an instant hit, much to the frustration of the jealous veteran performers. She performs an elaborate cabaret version of
"You Give Love A Bad Name".
Solomon begins to openly show his affection for Gina; she is initially unfazed by his charms, but recognizes the practical value of maintaining his interest. She plays along, knowing that it will advance her career.
Tommy, fearing that Gina is becoming distant, prepares an old-fashioned birthday surprise for her. But he somehow runs afoul of Viggo, who twists the situation around, in order to frame Tommy for attempting to rob Solomon. Crestfallen, Tommy goes on the lam (
"Wanted: Dead or Alive").
Gina visits Tommy in a safehouse, where she asks for his forgiveness (
"Never Say Goodbye" reprise) before he is arrested by the corrupt cops who followed her.
With Tommy gone, Gina descends further into bitter drunkenness, as Solomon keeps her under virtual house arrest inside her plush hotel suite.
In prison, Tommy encounters his old buddy Donnie, whom he hasn't seen since he left Weehauken. Together with a ragtag trans-cultural group of miscreants, the friends plot a daring breakout.
Solomon gets word about Tommy's flight. Meanwhile, the newly-established FBI is gradually uncovering his family's mob connections. Solomon realizes that a confrontation is fast becoming inevitable (
"Blood on Blood").
Hiding in plain sight within a mixed immigrant ghetto, Tommy befriends the sagely
Father Giovanni (
Martin Scorsese), a prizefighter turned priest, who espouses a kind of "theology of liberation". Renewed by this encounter, Tommy rallies the dispossessed from the neighborhood to lead a charge against Solomon (
"Keep the Faith").
The various forces storm towards the Savoy lobby (Medley:
"Keep the Faith" - Tommy's group,
"I'll Be There For You" - Tommy,
"Never Say Goodbye" - Gina,
"Blood on Blood" - Solomon, his goons, the FBI agents). It all ends in a tragic showdown of tears, fists, and bullets that leaves all parties in ruins. In the wake of it all, an injured Donnie flees the scene, one of the few survivors of the Savoy Massacre. The audience is shown the full extent of the carnage, as he makes his way to the street (
"These Days").
Epilogue - In the suburbs of 1970s New Jersey, the aged Donnie tells his adult son (Jon Bon Jovi) and teenage grandson to always remember the story of Tommy and Gina. Fascinated, the young boy picks up his acoustic guitar, strumming the opening chords of "Living on a Prayer"...
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THE PRINCIPAL CAST
Michael Angarano as Tommy Marella
Alexa Vega as Gina Scalia
Michael Rosenbaum as Solomon Medici
Frank Muniz as Donnie Ponza
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THE SETTINGS
I envision massive set pieces, inspired by specific locations. To give you an idea about what I have in mind:
construction site of the Lincoln Tunnel; must come across as a something larger-than-life; a real marvel of engineering
the quintessential East Coast diner; a communal social experience; relief from the stress of workaday labor
the sprawling Traymore Hotel in Atlantic City; inspiration for the fictional Savoy, from the movie
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LIGHTING/PRODUCTION/COSTUME DESIGN
I'd want the whole production to have a genuine Depression Era feel. The movie's poster would be patterned after 30s style playbills:
... and the staging would recall socialist "working men's" plays of the era.
I'd reference the work of social realist painter Raphael Soyer for ideas on how the scenes would be lit and framed: